His Excellency, Desire D. Bouterse, the President of the Republic of Suriname and a long-time admirer of the former President of South Africa, joined scores of other heads of state from around the world – all of whom converged on the southernmost nation-state on the horn of Africa, to pay their last respects to the legendary African leader who following incarceration for over two decades emerged triumphant, vindicated, to lead his oppressors and fellow-black and non-black supporters as the era of Boer-instigated apartheid was finally brought to a close in dramatic peace, reconciliation, and harmony in the mid-1990s.
Suriname’s First Lady, Ingrid Bouterse-Waldring, and the Minister of Foreign Affairs also attended the funeral ceremonies which drew billions of sympathetic television viewers worldwide – the likes of which mirrored the farewell rite and service for Mother Theresa of Calcutta.
Nelson Mandela’s rise to political prominence and world respect in the 1990s spanned a struggle of more than four decades. The village boy from Qunu became an international symbol and icon of protracted struggle and hope that finally yielded the once-impossible, triumphant victory.
In 2006-2007, Suriname’s Professor Ruben Karsters captured on canvas four icons from the 20th century with the specific purpose of inspiring through visual imagery young people and future leaders of the 21st century. In his portrait, “The Four Ms”, Karsters chose to portray Mahatma Gandhi of India, Martin Luther King and Malcolm X of the United States of America, and Nelson Mandela of South Africa.
There are historic, geographic and natural connections between all four iconic freedom-fighters: Gandhi’s rise to political prominence began in the country of Mandela’s birth and struggle, South Africa. Although the two men never met, they both faced on African soil the same monstrosity, ‘aparthied’. All four men were considered ‘dangerous’ by the status quo and faced incarceration for their outspoken moral stand on the issues of their day. And in the process of taking clear, unflinching, moral stands – what Mahatma Gandhi termed ‘satyagraha’ (truth-force), they galvanized not just people in their immediate locales, but hundreds of millions worldwide. Given the fear they generated and the ‘urgency’ of their specific moments in the 20th century, three were assassinated at the hands of their own countrymen - Gandhi in 1948, Martin Luther King and Malcolm X in 1968.
Ironically, of the four, after decades of protests which had spread across the earth – becoming even an international embarrassment as the incessant rumble rose clarion-strong in the United Nations, only Nelson Mandela came to full bloom, democratically elected as President from 1994 - 1999, before his retirement from public life, and acquiescence at the ripe old age of 95. Finally, the souls of all four men chose bodies of ‘color’ and the soles of their feet trod the soil of the oft-despised continent, Africa.
Little wonder, Ruben Karsters’ portrayed these four iconic men who symbolized sacrifice and personal self-transformation by ordinary folk amidst the angst, struggle and undying quest for betterment, not just for themselves but future generations, regardless of color, clime, or creed.
Upon completion, Professor Karster’s Portrait of the Four Ms, first went on public display at Suriname’s Fort Zeelandia Museum & Art Gallery. It was part of an exhibition sponsored by the Embassy of India entitled “Indian Resonances in Suriname” – and precisely because the Mahatma was among the 4Ms, there was logical reason for its inclusion.
In October 2007, the Karsters’ Portrait journeyed to India where – sponsored by the Indian Council of Cultural Relations (ICCR) – it was on display for about eight weeks in New Delhi. There were numerous anecdotes and accolades on the sub-continent about the unusually unique Portrait which for the first time suggested a metaphoric connection between the four freedom fighters – two from the new world and two from the ancient world. One wealthy admirer was so enamored in India that he offered Karsters ‘any price’ for the painting. The latter, however, perceiving a greater purpose beyond that of the Portrait gracing one person’s private collection, returned to Suriname with the masterpiece.
In 2010, when Suriname’s freedom fighter and nationalist, Desire D. Bouterse, finally came to power, through free and fair democratic elections, President Bouterse took the bold decision to adopt Ruben Karsters’ “Portrait of Hope & Peace: the Four Ms” as his official state gift.
The Presidential Gift achieved a rare amplitude in November 2010 when President Bouterse presented the Karsters’ Portrait in person to the President of Venezuela, the late Hugo Frias Chavez. The significance of the gift was reflected in an independent MSNBC poll which selected the Bouterse-Chavez gift as one of the top three best and most appropriate gifts from one head of state to another in 2010. Karsters’ life-like and brilliantly executed “Four Ms” portrait was selected above gifts from heads of state in the U.S., Russia, U.K., Middle East, and elsewhere.
Undoubtedly the “Four Ms” was the highlight of the Karsters artistic career which began for the autodidact at the age of seven. However, the sudden passing of Professor Ruben Karsters on March 5th, 2013, following a brief illness, gave some admirers cause for reflection because the artistic genius died on the same day as Hugo Frias Chavez, the Bolivarian freedom-fighter from Venezuela.
Prior to his own demise, on the occasion of an earlier meeting, Ruben Karsters had requested that the President of Suriname also present the painting to Nelson Mandela. Sources close to the President indicated that he had hoped to do so in person. However, on account of Mandela’s sustained illness and convalescence, a likely meeting between the two freedom-fighters did not take place.
Nelson Mandela, the South African boxer, lawyer, freedom-fighter and Marxist, who joyfully triumphed over adversity, and like Jesus and Gandhi magnanimously forgave his jailors and oppressors, to become an international icon, has been captured in inimitable joyful form on a canvas that is undoubtedly Suriname’s most famous painting to date, “The Portrait of Hope & Peace: the 4 Ms.”
A Caribbean poet, resident in Suriname, memorialized his first encounter with the Karsters’ art-piece in verse that reflects the essence of the painting
One Shakti
One century
One trajectory
Seamlessly staged
Meteoric rocket fired forth
Morphing the old in the new
One world of Gaea
Rta, the goal, Ananda
Shanti Om!
Ivan A. Khayiat © 2007
Thus, as the eternal flame, honoring the world-renowned fallen South African statesman and hero of struggling people, burns bright on a hillside in Mandela’s boyhood village in Qunu, South Africa, it will do likewise in Suriname and the Caribbean for generations to come.
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